After the Cut
Three posters, one edit.
A film programme can borrow its identity from the act of editing. The same face occupies three consecutive posters, but each frame reveals a different amount of the image.
A single word sits on each poster. The full title emerges as the viewer moves past the sequence. Ultramarine and vermilion breaks punctuate the black-and-white portrait.
Discuss a brief ↗
A ticket keeps just a fragment of the portrait. The crop, colour and condensed type are enough to connect it to the foyer posters.
Edition 01↗